You’ve seen sports photographers on the sidelines of every sports event – with massive lenses supported by monopods. You’ll see them there in almost any kind of weather… Waiting to capture a perfect moment – one that distils the essence of the sport, and that also captures a vital moment for the athletes involved.
The lenses selected for sports photography have a very specific function in helping them to capture these fleeting, and rare moments. Let’s look at those lenses and the real reasons why photographers choose to, (and need to) use these lenses. We will also look at why shorter focal length lenses are not appropriate for photographing sports events… I deal with all this, in the three sections of this article about Sports Photography.
What Properties Does a Sports Photographer Want in Their Lenses?
Sports photography equipment requirements can be distilled down to the following:
- Ability to capture fast moving objects as if they were frozen in time… Frozen sharp, and in correct focus.
- Fast reactions and adaptability (high shutter speeds, large apertures, and extremely fast focusing)
- High sensitivity to changing scenarios (varied autofocus modes, and optical image stabilisation)
- Extreme Reliability in extreme conditions (it may be raining, snowing, or very dusty in the sports arena)
Aren’t these attributes rather similar to the athletes that these photographers photograph?
Focal Lengths for Sports Photography
Outdoor sports events usually call for telephoto or super-telephoto lenses, more often Super-telephoto than plain telephoto. Super-telephoto lenses are generally lenses with a focal length of more than 300mm. These would have to have large apertures to allow the photographer to capture images with fast shutter speeds, and no additional lighting.
If you’ve ever tried photographing a soccer event you’ll know why these photographers use these lenses. A moderate telephoto lens of 70mm or 135mm will give you a rather wide view when photographing a player at the other side of the field and almost nothing if you’re photographing from near the opposite goal post.
Additionally, it’s usually difficult and/or dangerous to get too close to some of the action. Imagine having to sit 10 feet away from a racetrack to get frame-filling pictures of Formula 1 cars with a medium-length telephoto lens! Both dangerous and impractical…
Why Use Super-Telephoto Lenses?
600mm, 800mm, and 1,200mm lenses help magnify the players/drivers so that they fill up the frame and bring all the gritty action right up into the photograph.
Also, if you want to capture the speed of the cars you can use a relatively slow shutter speed and pan your camera to blur the background; Impossible if you are too close…
Should I Use a Zoom or a Prime Lens for Sports?
Why Use A Zoom Lens for Sports Photography?
Sports photographers have to deal with a constantly changing environment. Very often incidents occur so fast that it’s not possible to change a lens. Zoom lenses are invaluable at these times. Imagine being able to frame a racecar 200 feet away one moment and the next swivel around to take a photograph of a car crash happening 30 feet away and then a portrait of a distressed driver as he walks past you, all without having to change your lens once! Sigma’s 50-500mm f/4-6.3 EX DG HSM Lens could enable you to do just that! The payoff is a smaller aperture, and in this case, a variable one.
Why Use A Prime Lens for Sports Photography?
Super-telephoto lenses are very specialised lenses and their optical design is very complicated. This is why you will find more prime lenses than zoom lenses at this end of the focal length spectrum. Prime lenses offer superior image quality to zoom lenses because they are designed optimally for a particular focal length while zoom lenses strive to offer decent quality at all focal lengths. Prime lenses also offer large apertures that are completely essential for freezing action. The image here shows a Sports Photographer using the Canon EF 300mm f/2.8 L lens at the Dubai Tennis Open
Aperture Requirements for Sports Photography Lenses
Capturing movement means that many times photographers will need shutter speeds that are 1/500 sec or higher. Most sports events are held in relatively well-lit areas in the day, but at night, even the brightest floodlights are a poor substitute for the sun. This means that they need to use fast telephoto primes that are often f/2.8 or so.
However, even in bright sunlight, it helps to use a large aperture to blur out the background. This keeps the action alone in focus. This separation of the sports action from a cluttered background is one of the defining features of large-aperture telephoto lenses.
Lenses with larger apertures generally perform better at two levels, apart from letting in more light and allowing faster shutter speeds:
- They focus faster and more accurately, even in low light.
- They have a higher level of sharpness at their intermediate apertures.
Photographing Sports at Night
The sun may go down, the action may move indoors, but the fun goes on. Sporting events continue late into the evenings and often are started at night when the atmosphere is cool or for primetime scheduling reasons.
Large apertures are even more important when it comes to these situations. Light levels are bound to be lower while the action is still at the same pace and energy.
Of course, you may compensate by increasing your ISO settings, but not everyone is willing to pay for the trade-off with higher noise levels.
In this situation, larger apertures also offer the sports photographer an added advantage of a brighter image in the viewfinder, thus making it easier to get better framing and composition.
Today, mirrorless cameras with electronic viewfinders take the place of optical viewfinders, quite often. Extremely sensitive full-frame sensors like those on the Sony A7SIII (for video), make noise and image brightness less of a concern, but larger apertures are still critical to success in Sports Photography.
Optical Image Stabilisation & Vibration Reduction
Image Stabilisation, Vibration Reduction, Optical Steady Shot are Canon’s, Nikon’s, and Sony’s terms for their proprietary shake and movement reduction technologies. Many of their lenses are now equipped with these technologies, making it inevitable that we take a look at them. I’ll use the term ‘Shake Reduction’ to refer to these technologies though I prefer the term “Image Stabilisation”.
Shake Reduction technology can mean the difference between a razor-sharp and blurred picture at the same shutter speeds or the difference between the ability to hand-hold a lens for a photograph that would otherwise have to be tripod-mounted. Some older lenses of this genre do not perform well on tripods and instead introduce shake where there is none. Others have a panning mode for tripod-mounted use, and correct shake only on one axis.
Shake Reduction does not fix all your shake problems; rather, it helps you increase your efficiency. If used well, it can be used to really push the limits of hand-held photography.
Wide-angle lenses are not practical for most live sports applications. However, if you’re photographing a relatively low-impact sport (where damage to the photographer is ‘relatively’ low in a worst-case scenario), say skateboarding or roller-blading for instance, you could use these lenses for great effects.
Most sports photographers will also make it a point to carry wide-angle zooms so that they can capture images that convey the environment, the location, and the audience at any sporting event. These are often as important as the sporting event itself.
Canon EF Lenses for Sports
- EF 100-400mm f/4.5-5.6L IS II USM
- EF 70-200mm f/2.8L IS III USM
- EF 800mm f/5.6L IS USM
- EF 600mm f/4L IS II USM
- EF 500mm f/4L IS II USM
- EF 400mm f/2.8L IS II USM
- EF 300mm f/2.8L IS II USM
Canon RF Mirrorless Lenses for Sports
Sony FE Mirrorless Lenses for Sports
Nikon Lenses for Sports
- AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
- AF-S Nikkor 600mm f/4G ED VR
- AF-S Nikkor 500mm f/4D IF-ED II
- AF-S Nikkor 400mm f/2.8D IF-ED II
- AF-S Nikkor 300mm f/2.8G ED VR II
- AF Zoom-Nikkor 80-200mm f/2.8D ED
- AF-S Nikkor 80-400mm f/4.5-5.6G ED VR
Nikon Z Mirrorless Lenses for Sports
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Published: May 3, 2007 | Last Updated: July 28, 2021