The Best Lenses for Architectural Photography

Last Updated on September 30, 2020 by Susheel Chandradhas

Architectural photography calls for Tilt-Shift lenses most of the time. These lenses correct perspective distortion. You can think of this as making sure that the vertical lines of a building actually look vertical, and not slanting towards each other. In the past, this may have called for a ‘technical camera‘ or a ‘bellows‘ attachment, but tilt-shift lenses are easier to manage in the field.

Sometimes, photographers may use an extremely wide-angle lens, or a special-effect lens to photograph architecture, but these instances are extremely rare because most architectural firms want to see their work the way that it was envisioned. These lenses are mentioned below, but their usage is rare.

Why Tilt-Shift lenses are loved by architectural photographers

Photo by Danny Saltaren

Essentially, the problem with taking pictures of tall buildings from the ground is that as their height increases, the top of the building gets further away from the camera, introducing ‘perspective’ into the photograph.

An Illustration of how Tilt-Shift Lenses work.

A tilt-shift lens (abbreviated to TS and also called a Perspective Correction – PC – lens) enables your SLR camera to operate like it has bellows or like a technical camera, and fixes this perspective distortion. The result is an image with perfectly vertical lines, and that’s how architects like to see their buildings – without any additional distortions added.

TS lenses allow you to keep the lens’ axis parallel to the ground while shifting the view in the required direction. This makes vertical lines appear to be straight. See the image to the right for an explanation.

In short, the TS lens helps by allowing you to keep the camera perfectly level with the horizon but ‘shifting’ the view of the lens upwards… Take a look a the illustration…

Here are some links to interesting photographs taken with Tilt-Shift lenses: Charminar by Sabir, CIS building by fotofacade and Full Shift Boogie by iso100.

Perspective Correction Lenses are a truly specialised architectural leness, and they’re a must-have piece of photographic gear for any professional architectural photographer.

Here is a list of Tilt-Shift Lenses:

Tilt-Shift lenses for Canon

These are the two lenses that are the most relevant for architectural photography. Canon also makes a couple of ‘macro’ TS lenses (Canon 50mm f/2.8L Macro & Canon 90mm f/2.8L Macro), but those are more valuable for product photography.

  1. Canon TS-E 24mm f/3.5L II Ultra-Wide Tilt-Shift Lens
  2. Canon TS-E 17mm f/4L UD Aspherical Ultra-Wide Tilt-Shift Lens

Tilt-Shift lenses for Nikon

Nikon too makes some excellent Tilt-Shift lenses (Nikon calls them ‘perspective correction’ PC lenses). They also make some macro PC lenses which are better suited to product or still-life photography – PC-E Micro NIKKOR 45mm f/2.8D ED and the PC-E Micro NIKKOR 85mm f/2.8D lenses.

  1. PC NIKKOR 19mm f/4E ED
  2. PC-E NIKKOR 24mm f/3.5D ED

Ultra Wide-Angle lenses – Prime and Zoom

Photo by Spencer Davis

Sometimes the space being photographed needs to be shown in dramatic fashion. That’s when ultra-wide lenses enter the scene in architectural photography.

These lenses need to be used with care as even slight tilts have a dramatic effect, and can sometimes look unsettling.

Here are three lists of selected Ultra-Wide Prime and Zoom lenses for Canon, Nikon and Sony cameras. Sigma and Tamron lenses have not been mentioned as they come in either Canon or Nikon mounts; however, here is a list of all Sigma wide-angle lenses and Tamron’s lenses page.

Ultra-Wide Canon Lenses

Ultra-Wide Nikon Lenses

Ultra-Wide Sony Lenses

Special-Effects Lenses

Photo by Marius

Fisheye Lenses bring a very different view to any photograph.

A fisheye lens has very very limited use in architectural photography, because of the way that it distorts straight lines. They bring in a totally different aspect when it comes to architecture.

It enables the photographer to explore architecture as patterns and shapes, distorting them – sometimes beyond recognition – so that the viewer is also forced to look at architecture in a new way.

Would you use a fisheye lens for architecture? Weigh in with your comments below.

Here are some Fisheye lenses:

What is Architectural Photography?

Photographs of Buildings, Arches, or any other architectural structures are called architectural photography. They may be interior or exterior photographs. Specifically, the challenge is to portray the architecture in the best possible way and to convey what the architect may have originally envisaged when they designed the structure, often trying to replicate the way the building was drawn on paper, with exact elevations.

Photo by Jesse Echevarria

Why is Photographing Architecture Such a Challenge?

The primary challenge is to un-see what we see with our eyes. Our brain tells us that the lines that converge at a point in single, two or three-point perspective is actually parallel. When we look at a photograph of that same building on paper, it looks very different. It looks like the building is leaning backwards.

If we can acknowledge that our brains are ‘fixing’ perspective and allowing us to understand the world regardless of what we see, we can then move on to understanding how to portray these large 3D objects on a small 2D plane.

More Lens Information

These lists are by no means exhaustive. Rather, I intend them as a guide to give you a fair idea of the kinds of lenses that can be used in a challenging profession, to get pictures that bring a viewer back for a second look.

If you’re interested in improving how you look at photography, visit our Photo Projects series.

If you’re interested in reading more about lenses that can be used for different kinds of photography, check out The Lens Resource index post.

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6 comments Add yours
  1. I am not a photographer… I am a realtor who needs to get better quality photos for my non-professionally shot properties. ( those under $2million)

    It is my understanding that a 14mm lense used on a DSLR is equivelent to @ 28mm from my old cannon T70 film body days.

    If this is correct, then I feel that I need to use @ 14mm lense for interior shots ( with slave strobes of course) to get the kind of wide shots that no one but the pros seem to be able to get.

    Are my assumptions correct?

    ( our pro says that he uses an “archtectural lense”… but that doesn’t mean much to me….)

    thank you, mark

  2. Mark: I think what your pro means by “architectural lenses” are the Perspective correction lenses mentioned above, and possibly the 14mm lens.

    Now, if you want to get a true 14mm photograph, you could use a “Full Frame” dSLR such as the Canon EOS 1Ds Mk III or the Canon EOS 5D Mk II. The quality of these cameras is brilliant and a 14mm on one of them is quite amazing.

    Do check them out, I’ve also got links to amazon.com from the posts mentioned.

  3. Why is that you guys stop with just Canon and Nikon?
    There are other brands and there are people who use those brands as well. Can you not think of lenses for cameras like Olympus, Pentax, Panasonic etc?

    Ram

    1. Ram,

      Thanks for posting that. Yes, there are quite a few people who use Pentax, Olympus, Panasonic, Sony etc. and yes, I’m sure that these manufacturers have some pretty good lenses. Maybe I should update these articles to include them.

      Will look in to it.

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